Just like the “fragments of a lover’s discourse” the collection designed by Pierre Charpin for Ceramiche Piemme follows movement and has no plot except in the investigation into the language of shapes. Each ceramic piece becomes a lemma of a visual vocabulary wherein the process of subtraction, typical of Charpin, is functional to aggregation, to the organization of fragments of the discourse.
Fragments by Piemme
Contemporary, high-variation subway tiles. In-Stock.
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